Santiago del Estero and La Banda work as a single city split by the Dulce river. And in July, for the anniversary of the “Mother of Cities”, the March of the Bombos fills it with bombo drummers and visitors from many provinces.
Transfer and USDT: we pay out 100 % 24 h after each sale or after the event, your choice. With direct collection it lands in your own account, and card is optional: via Mercado Pago, on the venue’s own account. The service fee is paid by the buyer, so you receive the full face value of the ticket.
No app to install and no hardware required: the camera validates and turns green, amber or red. There is a fallback by ID document when you need it.
A public capacity screen for your security team, and at closing time the full report: takings by category, by source and by promoter, with a breakdown of who actually walked in.
Buyers pick their own spot on the plan of your venue, and that spot is sold exactly once. It works the same for a club with VIP tables as for a theatre with numbered seating.
Ingredients, recipes and cost per drink, promos and happy hour by time slot, and a waste audit. The bar's money is 100 % yours: GVenue charges nothing on the bar.
Every promoter gets their own portal, their own link and their commission in real time. You know who sold what without asking anyone for a number.
Nights in Santiago del Estero have one trait that changes how anyone working there has to operate: the capital and La Banda work as a single city, and in July the March of the Bombos fills it with people from many provinces. That is not a marketing line — it decides how many people come through the door at once, how many hands you need on it, and which night of the week your takings are won or lost.
Santiago del Estero has an urban quirk that weighs on the night: the capital and La Banda are separated by the Dulce river but work as a single city, with a crowd that crosses back and forth depending on where things are happening that night. For a venue that means its competition does not stop at the bridge, and that much of the decision is made at the last minute, on the phone.
In July the city also has its own date: the March of the Bombos, held since 2003 for the anniversary of the city’s founding — Santiago is the “Mother of Cities”, founded in 1553 — which gathers groups of bombo drummers from many provinces and neighbouring countries. Those are days when the city receives visitors, and the venue’s night becomes part of their programme.
And Santiago’s night has live music like few others: chacarera, folk and stages paid for separately from the dance floor. When the show is part of the business, the closing question is not only how much came in, but whether the night paid for the artist. With sales, bar and till in the same report — and fixed costs loaded — that stops being a hunch.
Everything above applies the same way in La Banda, Fernández, Beltrán and Clodomira.
La Banda is the other half of the night: a large city in its own right, right next to the capital, with its own crowd and its own venues. Because people cross the bridge both ways, door sales still matter: whoever arrives without a ticket must be able to buy one there, against the same allocation as online.
Further inland, Fernández, Beltrán or Clodomira have their own club and function-hall social life, with parties sold to people from across the area and held only a few times a year. For those events it helps to carry no fixed cost and to let anyone on the committee run the door on their phone.
GVenue is built inside clubs that are open for business: every feature comes from a real problem on a real night and is fixed the following week, with the venue still running. That is why the cashier cannot type in a price, why capacity is counted instead of estimated, and why the till is reconciled against what was actually counted. It is also why the bar pays no commission: GVenue never takes a percentage of what the bar sells, which belongs to the venue, in full.
Selling tickets has no setup fee and no monthly fee: the buyer pays the service fee. The other modules have their monthly price in plain sight at /armar, and carry no monthly fee if you sell your tickets with GVenue and reach 300 paid tickets a month (3-month average).