In Corrientes the summer is two huge festivals back to back: in January the National Chamamé Festival, about ten nights at the Cocomarola amphitheatre; in February the carnival, with the comparsas — the big carnival troupes — at the parade ground. Two different crowds and two consecutive months at peak.
Transfer and USDT: we pay out 100 % 24 h after each sale or after the event, your choice. With direct collection it lands in your own account, and card is optional: via Mercado Pago, on the venue’s own account. The service fee is paid by the buyer, so you receive the full face value of the ticket.
No app to install and no hardware required: the camera validates and turns green, amber or red. There is a fallback by ID document when you need it.
A public capacity screen for your security team, and at closing time the full report: takings by category, by source and by promoter, with a breakdown of who actually walked in.
Buyers pick their own spot on the plan of your venue, and that spot is sold exactly once. It works the same for a club with VIP tables as for a theatre with numbered seating.
Ingredients, recipes and cost per drink, promos and happy hour by time slot, and a waste audit. The bar's money is 100 % yours: GVenue charges nothing on the bar.
Every promoter gets their own portal, their own link and their commission in real time. You know who sold what without asking anyone for a number.
Nights in Corrientes have one trait that changes how anyone working there has to operate: January and February are two huge festivals back to back, chamamé and carnival, with crowds that look nothing alike. That is not a marketing line — it decides how many people come through the door at once, how many hands you need on it, and which night of the week your takings are won or lost.
Corrientes has one of the busiest summers in the country. In January, the National Chamamé Festival fills the Mario del Tránsito Cocomarola amphitheatre for about ten nights and turns the city into the capital of a music genre UNESCO recognised as intangible heritage of humanity. A month later comes carnival, with the comparsas competing at the parade ground and the age-old rivalry between the biggest ones.
They are two festivals that look nothing alike. Chamamé draws a crowd of all ages, who dance in couples and come from across the region; carnival is another rhythm and another crowd. A venue working both months has, in practice, two back-to-back seasons with two different setups, and the classic mistake is still running January’s when February has already started.
And both have the same consequence for the night: people leave the amphitheatre or the parade ground and carry on. They do not trickle in, they arrive together and late, once the line-up or the last parade is over. That wave decides how much comes in at the door and at the bar, and it is the one you lose if the door is one person with a list.
Everything above applies the same way in Riachuelo, Santa Ana, San Cosme, San Luis del Palmar and Empedrado.
Around the capital, Riachuelo, Santa Ana and San Cosme have their own weekend life, and San Luis del Palmar its own parties. They are town events, often run by a club or a committee, sold to people from across the area and held a few times a year.
For those events what matters is carrying no fixed cost and letting anyone run the door on a phone, and that online sales reach people who live half an hour away and decide on the day.
GVenue is built inside clubs that are open for business: every feature comes from a real problem on a real night and is fixed the following week, with the venue still running. That is why the cashier cannot type in a price, why capacity is counted instead of estimated, and why the till is reconciled against what was actually counted. It is also why the bar pays no commission: GVenue never takes a percentage of what the bar sells, which belongs to the venue, in full.
Selling tickets has no setup fee and no monthly fee: the buyer pays the service fee. The other modules have their monthly price in plain sight at /armar, and carry no monthly fee if you sell your tickets with GVenue and reach 300 paid tickets a month (3-month average).